This podcast runs for 38' 17 and as always you can download it and listen on your devices or in the car.[powerpress]
This episode was recorded back in June after Cinegear... and is packed full of cool insights.
We talk about the Backlot of Paramount Studios and the Cinegear experience and the accessibility of the gear and manufacturers and bumping into the who's who of Film & TV plus our observations of the MOVi Freefly - and what it will open up in terms of creativity.
• We talk F5 /F 55 and Sony cams and why I'm buying an F5 in 2K • The epidemic of new 'DP's who don't light anything… • The demise of quality control in online content broadcast TV… • The road to experience… and how valuable that is in gaining the necessary skill set • The importance of broadcast reference levels to ensure consistency of your online content. • Bumping into Chris Marino and Nate Weber and the Mick's impressions of the Schneider Cine primes and the value of glass. Mick talks about the Rokinon lenses he bought. • The importance of having a business case when buying higher end gear. • Mick talks about his business case on Lah Lah and also how they lit and filmed it with et yelp of Bruce Logan ASC. • And the whole Calling yourself a DP thing..
[3 Reports Red]